I was quaking in my boots a little when OFQUAL published their list of subjects being considered for "reform" (or not!) a few weeks ago. And lo, there it was: Film is disappearing. One of the hardest, most engaging courses I teach, as well as one of the most enjoyable. Going. Going. Gone.
Those of you who follow these developments will know how this story goes: Two hours later OFQUAL rescinded their own publication, claiming that Film should not have been on the list (here if you're interested). Huzzah and hurrah.
But then it struck me that, rather than feeling happy at this, I should have been more than a little indignant at the fact that we have to defend our subject's validity YET AGAIN! So I decided act, and to take their consultation document: For all the good it did. A series of anodine and difficult to disagree with statements which will eventually secure tacit agreement for the measurements they were going to take anyway, I suspect. So I wrote to them. This is my open letter to OFQUAL, in defence of Media and Film Studies' place on our curriculum.
To whom it may concern
I am writing to you
about your online consultation concerning the reform of GCSEs and A Level qualifications.
Having filled in the entire document online, I was disappointed that that the
consultation document provided no opportunity to argue for the continuance of Media
or Film Studies at GCSE, AS and A level, so this letter is a direct appeal in
support of these subjects for your consideration in reforming them.
First, for the vast
majority of the students I teach, Media and Film Studies are the most important
subjects they learn, despite also studying so-called “traditional”
qualifications alongside them. I teach in a highly academic school, and we do
not teach for passes, we teach for excellence. Of the students I teach, seven
in the past year alone have been nominated for national and regional awards for
their Media and Film production work (including BFI Young Film-maker of the
Year). I doubt that they would ever have achieved this level of quality of
their own volition, without someone to introduce the subject to them in the
first place through passion, rigorous academic study and through practical
experimentation. These are the media and film professionals of the future, but
they need time to master their arts. Students who arrive at university to
embark on Media or Film as courses they are studying for the first time are at
a clear disadvantage according to my former students, and the fact that mine
have been training in professional skills since Year 10 means that one day,
they WILL join the industries and move these industries forward innovatively
and creatively, and keep the UK at the very top on international media and film
production, with all that this entails for National economic growth and
prosperity.
On an academic level, I
would draw your attention to the already demanding nature of assessment: GCSE
involves extended comparative writing which motivates many to improve their
linguistic abilities; A level examinations are currently substantial essay-based
examination papers. Both subjects include assessment of research skills, as
well as analytical skills. These are the bedrock of the “traditional”
curriculum we seem to be returning towards, so why would we withdraw subjects
which reinforce such skills?
Second, there is a
popular perception of Media and Film Studies as “soft” subjects, which I would
disagree with fundamentally. The vast majority of my students will also tell
you that Media and Film were far tougher courses than their “academic”
counterparts. In part this is the fault of the mass media itself and its largely
biased reporting of the subjects: The tabloids have no qualms about labelling
our subjects as lesser subjects compared to the “traditional” subjects being
pushed by the present government. The fact that the broadsheets put inverted
commas around the word soft does not
in any way absolve them of blame for reinforcing this perception, in my opinion.
The message from the media is clear: Studying media or film is an easy option.
However, I would argue that OFQUAL is equally to blame in this process for not countering this perception explicitly with evidence. I would contend that the level of demand at both GCSE and A level is very high: Students analyse film and media texts in exactly the same way as they do in English, except that they must take account of not only linguistic characteristics of texts, but also the way the layout, camera angles, editing and sound work in tandem with these linguistic features. This adds layers of meaning which are very subtle, additional to those studied in English, and indeed constitute an entire language of their own. And this only covers the textual analysis aspects of the courses. Film and Media Studies also require that students understand why texts are the way they are, by taking into account institutional, social, political, economic, historical and technological factors which may influence meaning and interpretations of texts. While this is a skill which is taught in English, I would argue that the up-to-date nature of film and media studies enquiries makes it much more challenging for students to interpret the influence of these contexts, as they are not doing so with the benefits of hindsight, or with the help of “expert voices” to guide them. Media and Film students learn a basic framework of analysis, but from there they are applying this to texts which are so new they are largely untouched by academic study. They have to apply their learning very subtly, often drawing in a range of material which benefits other subjects, such as History, English, Philosophy and Ethics, Sociology and Psychology.
However, I would argue that OFQUAL is equally to blame in this process for not countering this perception explicitly with evidence. I would contend that the level of demand at both GCSE and A level is very high: Students analyse film and media texts in exactly the same way as they do in English, except that they must take account of not only linguistic characteristics of texts, but also the way the layout, camera angles, editing and sound work in tandem with these linguistic features. This adds layers of meaning which are very subtle, additional to those studied in English, and indeed constitute an entire language of their own. And this only covers the textual analysis aspects of the courses. Film and Media Studies also require that students understand why texts are the way they are, by taking into account institutional, social, political, economic, historical and technological factors which may influence meaning and interpretations of texts. While this is a skill which is taught in English, I would argue that the up-to-date nature of film and media studies enquiries makes it much more challenging for students to interpret the influence of these contexts, as they are not doing so with the benefits of hindsight, or with the help of “expert voices” to guide them. Media and Film students learn a basic framework of analysis, but from there they are applying this to texts which are so new they are largely untouched by academic study. They have to apply their learning very subtly, often drawing in a range of material which benefits other subjects, such as History, English, Philosophy and Ethics, Sociology and Psychology.
Third, I would argue
that the range of topics which are studied at GCSE and A level is also extending
for students. The subject involves more than a study of mainstream popular film
and media texts. It involves the study of texts from other cultures around the
world, in other languages (my own students study Spanish, French, Iranian and
Cantonese/Mandarin texts), and asks that we understand those cultures so as to
be able to discern their influence on particular films, and their influence on
our own culture. These are skills which are incredibly demanding for students
between the ages of 14 and 18. Furthermore, film and media texts act as a
cultural resource and a way of gaining access to experiences and cultures, and raising
important issues relevant to society today (including, ironically, the idea of
media bias and media agendas, and their influence on the political agenda, the
reason that you are carrying out this consultation in the first place, one
might argue: See point 2 above).
The media and film
industries shape, and arguably construct, the terms of people’s perceptions,
the way people think, their attitudes, values and beliefs. Students need to understand
the role of the media in that process if they are to have any chance of
becoming engaged, active and reflective citizens within our society. If we deny
them these opportunities, we can only blame ourselves when society somnambulates
into a future of fear, despair and obsequious conformity. We owe our students a
better future than that.
I hope that you will
give the above arguments the weight of consideration they deserve when
considering how the subjects should be reformed.
Yours faithfully
Mike Gunn
If you want to write to them with your own equally passionate (but undoubtedly more eloquent) supporting letter, please feel free. The address is below:
Ofqual,
Spring Place,
Coventry Business Park,
Herald Avenue,
COVENTRY